Jinyang.com reporter Zhu Shaojie Xu Xueliang
Recently, the “Speaking the Voice of the Times and Forging the Soul of the Nation – Pan He Art Seminar” was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from both inside and outside the province attended the seminar. The guests discussed the creative language, theme significance, artistic style, and educational philosophy of the sculptor Pan He. They hoped to gather forces and resources from multiple parties to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan” sculpture research.
“Komiks 1960 witch cloth draw Mr. Pan from Hong Kong to the South China People’s Literature and Art Institute, and then Cinema 1950 witch cloth drawThe exchanges with the Lingnan School of Painting, contacts with Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor of Guangzhou Academy of Fine Arts. “Li Jinkun, Vice Chairman of the China Art Association, Dean of Guangzhou Academy of Fine Arts, Dean of Guangdong Academy of Painting, and Chairman of Guangdong Academy of Arts, said at the meeting that Pan He’s sculpture works have become the memory of a region and a country. Guangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on important artists such as Pan He and preserve this valuable academic resource.
The destiny of the nation is integrated into the works
To this day, Pan He, in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, and has created more than 100 large-scale outdoor sculptures, with works spread across more than 60 cities at home and abroad.
PanCinema 1950 witch cloth drawCinema has won many awards and titles. She is the winner of the first Guangdong Lifetime Achievement Award and the winner of the Lifetime Achievement Award of the Chinese Art Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every Babaylan 1990 cloth draw work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that Pan He consciously understood the cultural mission through his personal cultural consciousness and put into action to complete artistic practice, giving this proposition a good answer. His series of works represent or shape the historical development of New China since the founding of New China.The key node is closely linked to the pulse of the entire era.
Li Ming, former president of Guangzhou Academy of Fine Arts, believes that from “When I Grow Up” to later “Hard Times” and “All You Are Stupid”, to later “Zhuhai Fisherman”, “Battle to Pull the Land”, “Memorial Image of Liberation of Guangzhou”, etc., Pan He embraces the times and ideals with his memory, cognition and conscience, and keeps his creations close to the times.
American artist Wu Xinkun also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories, humanistic emotions, and people’s emotions towards social life, and integrate the destiny of the country and nation into their works. “Komiks 1960 witch cloth draw In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers were divided. It is a work of the times,” he said.
“Cinema 1950 witch cloth draw Whether an individual has nationality lies in his thoughts rather than aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national.” Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since he was a child. Babaylan 1990 cloth draw At the age of 14, he went to Foshan, Guangdong to study in Foshan; at the age of 19, he went to Macau to study, met the Italian sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Critic Liang Jiang said: “This context is the same as that of the Lingnan School of Painting. He and LingBabaylan 1990 cloth draw“
Liang Jiang believes that Pan He’s turning local factors into the historical narrative of the entire nation is an important aspect that everyone should pay attention to when studying regional art history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid” and believed that the title of this work has a very obvious Guangdong characteristic, connecting the Guangdong Cantonese cultural circle. His work “The Cow of the Land” is also an important part of local factors participating in the mainstream discourse of the country.com/”>Cinema 1950 witch cloth draw works.
Yin Shuangxi, a professor at the Central Academy of Fine Arts, also said: “Mr. Pan He’s works can resonate and respond to them at every historical node. His works can grasp the most important moments of the theme, plot, historical development and the psychological and mental state of the characters, and use sculptures to turn the moments into eternity. ”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him, and Mr. Pan He left his landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. Cinema 1950 witch urban drawThe spirit expressed by Shenzhen’s urban landmark “The Breeding Cow” has not only become the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core characteristics. Most of his classic works come from wonderful moments that touched him. He created on 20Komiks 1960 witch clothes When I Grow Up Komiks 1960 witch cloth draw in the early 1950s, after he participated in the “land reform”, he was moved by the situation of rural teachers and carried out the “https://funnybookish.com/”>Komiks 1960 witch cloth The creation of draw is said to have given high praise. This work also represented China in the International Mother’s Day Conference held in Switzerland and the Fifth World Youth Festival held in Poland, which caused a sensation.
To date, Pan He has recorded the history of recent and modern development with his sculpture art, and has also embodied the spirit of China’s reform and opening up. His outstanding contributions to the construction of socialist cities and cultural construction are obvious to all, beautifying the city’s space in the city and enriching the city’s connotation.
Innovative in artistic form
From the form to form toTheme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is an embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that as a sculptor who grew up with the Republic, Mr. Pan He always revolves around the melody of the country and the times, but in the art form, Cinema 1950 witch cloth draw, he often comes up with novel ideas and finds a perfect combination between form and theme.
The Hard Years, created by Pan He in 1957, has become one of the must-have works for various art appreciation materials for primary and secondary schools and century-old art. This classic work has always been interpreted as a firm belief in the difficult environment of the Red Army. Pan He had previously explained that the work was not the Red Army, but the Hainan guerrillas. But no matter what, the works reflect that in that difficult era, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human nature. No matter how many difficulties and hardships there are in life, how many deceptions and negative existences exist, it still maintains a good belief in life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation. The work has a strong theme, but his theme is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, attracting a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated a group of outstanding artistic talents with his unique educational concepts.
The American artist Wu Xinkun became a graduate student of Pan He during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on ideological education. “He isAn aesthetician and thinker, what he said has a great influence on me. For example, he said, “Not having any habit, no harm, no real.” He believes that literary and artistic works should not be perfect. Its shortcomings are its personality. “Wu Xinkun recalled that Cinema 1950 witch cloth draw.
Pan Fen revealed that Pan He’s educational theory is related to his learning experience. Pan He has always had a very personal personality in his studies, believing that the teacher is not technical, but ideological. He believes that thoughts are more technical than skills. The draw method is ten thousand times stronger.
Pan He’s sculptures have far-reaching cultural significance for contemporary art. At the seminar, participants proposed that we should gather forces from multiple parties to collect and organize resources, and conduct comprehensive research on Pan He and his works Komiks 1960 witch cloth draw‘s workBabaylan 1990 cloth draw; we hope to establish Cinema 1950 witch cloth as soon as possible; drawThe team of sculpture theory research team will theoretically sort out the development context of sculpture and promote the development of disciplines. Guangdong art has always been the first in the trend, the era, and the path of change in the process of transformation from tradition to modernity. It should focus on in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons among artists such as Pan He to deeply explore Lingnan sculpture.