Text/Jinyang.com reporter Gan Yunyi
Photo/Provided by the interviewee
Kunming, a historical and cultural city with more than 2,200 years of city construction, has recently welcomed a group of happy “fat girls”. From August 1 to August 20, 2019, Babaylan 1990 cloth draw “Melody of the Times – Xu Hongfei Sculpture World Tour Kunming Station” was held at the Yunnan Art Museum, including an indoor exhibition hall and an outdoor square.
It is reported that this exhibition is the 33rd stop after the famous sculptor and director of Guangzhou Sculpture Institute Xu Hongfei held the 33rd stop after the 34th stop in St. Petersburg, Russia and Kobe, Japan. It is also the stop with the most exhibition works in history. This exhibition displays Xu Hongfei’s music, dance, love and a series of “fat girls” works related to Guangzhou Flower City Komiks 1960 witch cloth draw.
The “Melody of Time” sculpture debuted
This time, Xu Hongfei brought many new works, and the work “Melody of Time” with the same name as the exhibition theme was publicly released for the first time. Xu Hongfei said that the work was sent to Yunnan as soon as it was finished. Many friends in Guangzhou were Cinema 1950 witch clothes draw haven’t seen it yet.
The scene of the sculpture “Melody of the Times” is a symphony scene, which covers more than 30 characters. “Minorities in Yunnan Province live in, and the people are good at singing and dancing, and the music is also very rich.Wealth, so Babaylan 1990 cloth draw exhibited this time, including music series and group dance. ”
MusicBabaylan 1990 cloth drawElements are the highlights of the exhibition, including “Flying Song of the Prosperous Age”, “Ode to Joy”, “Cuiyin”, “Eternal Sound”, “Three Play Music”, etc.
It is understood that there are 120 works exhibited this time, which is the most works of the 35 tour exhibitions, including 100 small works and 20 large works. Xu Hongfei said that the special exhibition effect brought by the Su-style architectural style of the Yunnan Art Museum has given him special gains.
The joy of every ordinary person forms the music of the timesKomiks 1960 witch cloth draw, and many visitors at the scene were happy to take photos with their works, imitate their actions, and convey happiness. “These works reflect the new eraKomiks 1960 witch cloth drawThe people’s sense of satisfaction, happiness and spiritual outlook. “Xu Hongfei said that happiness is common and the works are down-to-earth.
Wang Shaoqiang, vice chairman of Guangdong Artists Association and director of Guangdong Art Museum, said that the exhibition’s work of Cinema 1950 witch cloth drawish.com/”>Babaylan 1990 cloth draw expresses the common yearning for joy of mankind, and hopes to dedicate happiness to the people and to the 70th anniversary of the motherland.
Works combine with the times and display Guangdong’s multicultural culture
Art historian scholars and cultural heritage committees of the Chinese Association for the Promotion of Cultural IndustryKomiks 1960 witch cloth drawSong Weiguang pointed out in an interview that before the 19th century, sculptures mainly focused on volume, and after the 20th century, space was emphasized, and the government played a great role in guiding the construction of new space.
Song Weiguang believes that sculptures and sculptures must also accept the evaluation of the environment and the people. Public art is not only an embodiment of the personal will of the artist, but only when the government, artists and the people work together to be born. ReallyKomiks 1960 witch cloth drawThe positive Cinema 1950 witch cloth drawGood art cannot make jokes. Artists must have wisdom and guidance, and the government must have a decision-making role.
It is understood that this exhibition was jointly organized by the Yunnan Provincial Department of Culture and Tourism, the Guangdong Provincial Department of Culture and Tourism, and was hosted by the Yunnan Art Museum, Guangdong Art Museum, and the Guangzhou Municipal Bureau of Culture, Radio, Film and Tourism. It represents the overall recognition of the two provinces for the exhibition. Some cultural units in both provinces participated in the opening.s://funnybookish.com/”>Cinema 1950 witch cloth draw style.
From this group of works, you can also see the diversity of culture in the eastern province and the appearance of artistic works as a frontier of reform and opening up.
<img src="http://news.ycwb.com/pic/2019-08/02/35387985-e9f1-47f0-ad59-d81ba67a2cdab841d861-b409-417b-8450-a1459bf3c1f3.jpg" Xu Hongfei said that the works he created this year are different from the past and are related to the times. Including his new creations of "The Builder of the New Era", "The Music of the Times", "Brave Going forward", etc. He bluntly said that he deeply felt the strong sense of the times for members of the National Committee of the Chinese People's Political Consultative Conference during this year's National People's Political Consultative Conference, which directly influenced his creations.
“Fat Girl” has traveled across five continents as a cultural messenger
“Fat Girl” is very busy. Xu Hongfei’s “Fat Girl” series of sculptures have traveled across five continents around the world, with footprints covering Italy, France, the United Kingdom, the United States, Germany, Babaylan 1990 clothes draw30 countries and regions including Türkiye, Russia and Japan.
In June this year, Xu Hongfei Sculpture World Tour Exhibition No. 3Cinema 1950 witch clothes draw3 and 34 stations are held in St. Petersburg, Russia and Kobe, Japan respectively. During the 70th anniversary of the establishment of diplomatic relations between China and Russia and the G20 summit, two exhibitions opened one after another. Xu Hongfei brought several “fat women” sculptures to show the world the art of the world in an artistic language that transcends national borders and races. Luo Jiang, director of Yunnan Art Museum, said that “fat girl” has matured for a long time for cultural messenger.
“Now the ‘fat girl’ is visiting the Yunnan Art Museum, which is the first sculpture exhibition after the newly renovated Yunnan Art Museum. I hope that the “fat girl” with humor, profound meaning and positive energy will bring everyone joy and thinking.” Luo Jiang said.
Luo Jiang believes that being good at himself is the basis of Xu Hongfei’s achievements. Changing “cultural going out” to “culture asking for culture” and exporting culture and art with Chinese characteristics to foreign countries is the inspiration brought to people by Xu Hongfei and his “fat girl”.